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War is an event, theme, topos that induces fiction more than any other - stimulating, one might say, superego-like instances of historical fidelity - to press on its own boundaries, inhibit the space of the invention and merge with non-fictional forms of writing (memorial, diary, reportage ...). But in what way and to what extent its literary (as well as theatrical, cinematographical, comic book...) representation has changed - in terms of tone and strategies, in the degree of deformation of the known and shared reality - in the space of a Century that has seen the transformation of war strategies, media coverage and consequently the collective imagination linked to conflicts? The volume, conceived and edited by Nicola Turi, while tracing the individual path of known and lesser-known authors, in relation to the main theme of the book, both Italian and not (from Leopardi to Zanzotto, from Gadda to Calvino, from Salsa to Dessí, from Luzi and Fenoglio to Leavitt, Eisner and Celestini), also stimulates and elaborates a profound reflection on the bewilderment and natural attraction of the artistic gesture (from time to time in the name of fierce irony, desperate incredulity, the elegiac testimony) for evil, pain, the martial distortion of the human, social and political context.

Comparative linguistics.

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Starting from a vast documentary corpus, the result of in-depth archival research, the volume offers an original perspective on the main forms of entertainment in Pistoia between the seventeenth and eighteenth centuries, focusing in particular on the theatrical activity of the most important cultural institution in the city, the Accademia dei Risvegliati. The survey also examines realities of secondary importance that contributed to enriching the urban cultural fabric, such as the minor stages, the sacred theatre and private entertainment. A broader overview also allows the readers to frame the scope of festive celebrations and occasions for public entertainment, presented through significant exempla.

Comparative linguistics.

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Journalism invented the interview, a tool to investigate the lives of writers. This indiscretion triggers the authors' reaction: a new literary genre, the imagined interview, becomes a shield to protect their own intimacy as wells as a tactic to overturn the press' spotlight, primarily against the interviewers. Pretending to be like them, the authors will also be able to talk to the ghosts of our imagination. All their interlocutors become characters shaped by irony, satire, self-representation. Through the creative variations of the imagined interview and across different media (publishing, radio, television, digital devices), this book shows how the media context, with its laws and conflicts, is the scene of writers' counterattack-a battle fought by the double-edged sword of journalistic imitation and fictional invention.

Comparative linguistics.

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In Tense and Text in Classical Arabic, Michal Marmorstein presents a discourse-oriented analysis of the indicative tense system in Classical Arabic. The study demonstrates the effect of the extended syntactic and textual context on the function of the verbal forms. Readership: Scholars of Classical Arabic syntax and discourse, Arabic grammatical tradition, comparative Semitic syntax, and anyone concerned with Arabic linguistics.

Historical & comparative linguistics

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Most of the papers collected in this book resulted from presentations and discussions undertaken during the V Lablita Workshop that took place at the Federal University of Minas Gerais, Brazil, on August 23-25, 2011. The workshop was held in conjunction with the II Brazilian Seminar on Pragmatics and Prosody. The guiding themes for the joint event were illocution, modality, attitude, information patterning and speech annotation. Thus, all papers presented here are concerned with theoretical and methodological issues related to the study of speech. Among the papers in this volume, there are different theoretical orientations, which are mirrored through the methodological designs of studies pursued. However, all papers are based on the analysis of actual speech, be it from corpora or from experimental contexts trying to emulate natural speech. Prosody is the keyword that comes out from all the papers in this publication, which indicates the high standing of this category in relation to studies that are geared towards the understanding of major elements that are constitutive of the structuring of speech.

Comparative linguistics --- History.